Design Concept – CC13
Validation status: Validated
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CC13 Design Concept
Subclass of:
Scope note:
This class comprises combinations of concepts found in creative expressions, such as drawings, sketches, diagrams, plans, descriptions, 3D representations etc, which together form an overall concept for a design. An instance of CC13 Design Concept is a complex set of ideas that is proposed as the intellectual response to a certain, projected creative aim, that may be documented as an instance of CC6 Programme, expressing the latter as particular creative design proposals. The CC13 Design Concept is typically elaborated by an actor in the role of ‘Maitrise d’Oeuvre’ through different design documents (instances of CC1 Model) that represent various aspects of the overall idea. The substance of CC13 Design Concept is ideas.
An instance of CC13 Design Concept is complex by nature as it interacts with the set of requirements typically expressed in an instance of CC6 Programme, which concretizes the requirements set out by an instance of CC17 Projective Requirements. It is articulated through various documents expressing different collective proposals that will go through processes of selection and filtering. In the normal case, one of these proposals will be selected as satisfying the CC17 Projective Requirements expressed in a CC6 Programme and serve as the accepted instance(s) of CC1 Model that expresses the final CC13 Design Concept.
Examples:
- The design concept proposed by Daniel Libeskind expressed in the winning proposal (CC1) for the competition to design the One World Trade Centre, based on the program (CC6) articulated by the Lower Manhattan Development Corporation (E74). (https://untappedcities.com/2014/11/04/the-nyc-that-never-was-1-wtc-and-the-competition-for-the-world-trade-center-site/)
- The design concept created by Rodin (E21) for the sculpture entitled “The Gates of Hell” (CC20), in which straight lines are intersected asymmetrically by human figures, realised by the model (CC1) known as “the third maquette”, currently held by the Rodin Museum, Philadelphia (E74) (https://frenchsculpture.org/index.php/Detail/objects/30120)
In First Order Logic:
- CC13(x) ⇒ F1(x)
Scope notes
Scope note
This class comprises combinations of concepts found in creative expressions, such as drawings, sketches, diagrams, plans, descriptions, 3D representations etc, which together form an overall concept for a design. An instance of CC13 Design Concept is a complex set of ideas that is proposed as the intellectual response to a certain, projected creative aim, that may be documented as an instance of CC6 Programme, expressing the latter as particular creative design proposals. The CC13 Design Concept is typically elaborated by an actor in the role of ‘Maitrise d’Oeuvre’ through different design documents (instances of CC1 Model) that represent various aspects of the overall idea. The substance of CC13 Design Concept is ideas.
An instance of CC13 Design Concept is complex by nature as it interacts with the set of requirements typically expressed in an instance of CC6 Programme, which concretizes the requirements set out by an instance of CC17 Projective Requirements. It is articulated through various documents expressing different collective proposals that will go through processes of selection and filtering. In the normal case, one of these proposals will be selected as satisfying the CC17 Projective Requirements expressed in a CC6 Programme and serve as the accepted instance(s) of CC1 Model that expresses the final CC13 Design Concept.
Show | Scope note | Language | Namespace | View details | Comments | Validation |
---|---|---|---|---|---|---|
This class comprises combinations of concepts found in creative expressions, such as drawings, sketches, diagrams, plans, descriptions, 3D representations etc, which together form an overall concept for a design. An instance of CC13 Design Concept is a complex set of ideas that is proposed as the intellectual response to a certain, projected creative aim, that may be documented as an instance of CC6 Programme, expressing the latter as particular creative design proposals. The CC13 Design Concept is typically elaborated by an actor in the role of ‘Maitrise d’Oeuvre’ through different design documents (instances of CC1 Model) that represent various aspects of the overall idea. The substance of CC13 Design Concept is ideas. An instance of CC13 Design Concept is complex by nature as it interacts with the set of requirements typically expressed in an instance of CC6 Programme, which concretizes the requirements set out by an instance of CC17 Projective Requirements. It is articulated through various documents expressing different collective proposals that will go through processes of selection and filtering. In the normal case, one of these proposals will be selected as satisfying the CC17 Projective Requirements expressed in a CC6 Programme and serve as the accepted instance(s) of CC1 Model that expresses the final CC13 Design Concept. | en | Creative Processes Representation Ontology Version 1.6 ongoing | 0 | Validated |
Examples
Example
- The design concept proposed by Daniel Libeskind expressed in the winning proposal (CC1) for the competition to design the One World Trade Centre, based on the program (CC6) articulated by the Lower Manhattan Development Corporation (E74). (https://untappedcities.com/2014/11/04/the-nyc-that-never-was-1-wtc-and-the-competition-for-the-world-trade-center-site/)
- The design concept created by Rodin (E21) for the sculpture entitled “The Gates of Hell” (CC20), in which straight lines are intersected asymmetrically by human figures, realised by the model (CC1) known as “the third maquette”, currently held by the Rodin Museum, Philadelphia (E74) (https://frenchsculpture.org/index.php/Detail/objects/30120)
Show | Example | Language | Namespace | View details | Comments | Validation |
---|---|---|---|---|---|---|
The design concept proposed by Daniel Libeskind expressed in the winning proposal (CC1) for the competition to design the One World Trade Centre, based on the program (CC6) articulated by the Lower Manhattan Development Corporation (E74). (https://untappedcities.com/2014/11/04/the-nyc-that-never-was-1-wtc-and-the-competition-for-the-world-trade-center-site/) The design concept created by Rodin (E21) for the sculpture entitled “The Gates of Hell” (CC20), in which straight lines are intersected asymmetrically by human figures, realised by the model (CC1) known as “the third maquette”, currently held by the Rodin Museum, Philadelphia (E74) (https://frenchsculpture.org/index.php/Detail/objects/30120) | en | Creative Processes Representation Ontology Version 1.6 ongoing | 0 | Validated |
Additional notes
Identifier: CC13
Official URI: https://ontology.swissartresearch.net/cpro/CC13_Design_Concept
OntoME URI: https://ontome.net/ontology/c554
Labels
Label | Language | Last updated | View details | Comments | Validation |
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Design Concept | en | 2023-11-05 | 0 | Validated |
* : Standard label for this language
Namespace
Namespace | Last updated |
---|---|
Creative Processes Representation Ontology Version 1.6 | 2024-11-26 |
Creative Processes Representation Ontology Version 1.6 ongoing | 2020-10-12 |
CRM for Creative Processes Representation Version 1.5 | 2023-11-05 |
Parent classes
Ancestor classes
Class | Depth | Class namespace | Via |
---|---|---|---|
E89 Propositional Object | 2 | CIDOC CRM version 7.1.3 | F1 |
E28 Conceptual Object | 3 | CIDOC CRM version 7.1.3 | F1 - E89 |
E71 Human-Made Thing | 4 | CIDOC CRM version 7.1.3 | F1 - E89 - E28 |
E70 Thing | 5 | CIDOC CRM version 7.1.3 | F1 - E89 - E28 - E71 |
E77 Persistent Item | 6 | CIDOC CRM version 7.1.3 | F1 - E89 - E28 - E71 - E70 |
E1 CRM Entity | 7 | CIDOC CRM version 7.1.3 | F1 - E89 - E28 - E71 - E70 - E77 |
Thing | 8 | OntoME internal model - active version | F1 - E89 - E28 - E71 - E70 - E77 - E1 |
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