Rodin’s decision to replace the figurative work known as “The Kiss” (CC20) by that known as “Fugit Amor” (CC20) in the final composition of figures expressed in the realization plan (CC4) carried by the plaster (E24) intended to produce the mould for casting Rodin’s “Gates of Hell” (CC2), ca. September 1887 (http://rodin-web.org/works/1887_fugit_amor.htm)
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